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The Squirrels are Coming!

Mwa ha ha. Making plans for winter.

Wonderful news: When the Squirrels Stole my Sister, my upcoming picture book with Fitzhenry & Whiteside, is going to be illustrated by Patricia Storms. ūüôā

Patricia is an accomplished author/illustrator well-known in the Canadian kidlit scene. Her illustrations range from super-adorable to just-a-little-creepy (intentionally so, of course!) — which makes it totally exciting to know that she’ll be bringing my story to life, because I have no idea what kind of pictures she’ll create to do it.

Will my clever little squirrels be diabolically drawn? Or will their cunning natures be hidden behind sweet furry faces with just a glint in the eye? I can’t wait to find out.

But wait I will have to, because it takes a while to illustrate a book. I don’t have a firm publication date just yet, but it’s in the works. (A little girl with a big bag of peanuts has no idea what’s coming.) I’ll announce more here as the book develops.

In the meantime, check out the recently¬†published books in Fitzhenry & Whiteside’s Fall 2017 catalogue.

And check out this week’s CBC radio stories about a baby squirrel rescue and a red squirrel study. Or just step outside, if you live most anywhere other than the poles, and you can probably find a busy squirrel to study yourself. They are certainly active this time of year, making their plans for winter….

For now, here’s an assortment of Patricia’s book covers: Never Let You Go, written and illustrated by Patricia Storms (Scholastic); The Pirate and the Penguin, written and illustrated by Patricia Storms (Owlkids Books); and 13 Ghosts of Halloween, written by Robin Muller and illustrated by Patricia Storms (Scholastic):

Adorable.

Cute

Just a little creepy

 

 

 

 

 

Not much just chillin’

That’s all from me for this Friday.

(I write that as if I’d blogged last Friday instead of, oh, two months ago. I always intend to write again the following week but alas, I’ve been busy with my amateur squirrel studies. I’ll try to pop in a bit more often, and maybe even write a fable.)

Have a great weekend.

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My Latest Story (Not for Children)

My latest short story, “Mr. Boots,” has just come out in the Summer 2017 issue of The Fiddlehead. (Yes, that’s me peeking inside the magazine at left, and yes, I could use some eye drops and a mascara wand. What can I say? I’ve been up late writing.)

The Fiddlehead is one of Canada’s most esteemed and longstanding literary journals.¬†It’s an honour to have my writing in its pages.

I wrote short fiction for adults back in my twenties, but I stopped writing in that form for a long while and only recently resumed. I’ve had a couple of pieces published online and in anthologies in the past few years, but this is my first lit-mag publication since, oh, the twentieth century. It feels good to be back.

“Mr. Boots” is not for children (though it has a child protagonist) and it’s not comedic. To people who only know my children’s novels, it may seem out of character. But it’s actually a return to my roots.

The full cover, without the red eye.

I have not stopped writing for children. In fact, I’m in the thick of a new children’s novel, and I just received a grant from the Conseil des arts et des lettres du Qu√©bec to finish it. More on that in posts to come.

For now, check out “Mr. Boots” and all the other great stories and poems in this gorgeous issue. Visit¬†The Fiddlehead website to order a single copy or a year’s subscription.

Have a great weekend.

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Friday Faves–Books I Read and Loved this Spring

I updated my Goodreads account this afternoon, adding a dozen or so titles that I read and loved this spring. If you’re looking for a summer read, here are a few of my recent faves.

Picture Books

Once I Ate a Pie

Written by Patricia MacLachlan and Emily MacLachlan Charest; illustrated by Katy Schneider (HarperCollins, 2006)

“Every dog has a tail to wag and a tale to tell.”

My new favourite picture book. (It was published ten years ago, but it took me a while to discover it.) It has completely captured my heart, and made me feel just a bit more connected with my dog. Gorgeous images, beautiful words.

 

Stepping Stones:¬†A Refugee Family’s Journey

Written by Margriet Ruurs; illustrated by Nizar Badr (Orca Book Publishers, 2016)

“This unique picture book was inspired by the stone artwork of Syrian artist Nizar Ali Badr, discovered by chance by Canadian children’s writer Margriet Ruurs.”

An extraordinary book, the making of which is almost as interesting as the final product. So worth buying, especially since a portion of the cover price goes to refugee settlement organizations. Just beautiful–the stone illustrations will astound you.

 

Middle Grade Novels

The Witch’s Guide to Cooking with Children

Written by Keith McGowan; read by Laural Merlington (Brilliance Audio, 2009)

“A¬†contemporary recasting of Hansel and Gretel.”

I listened to the audiobook while cooking (not with children) and it completely charmed me. So many funny lines, such engaging characters–it’s a great story to cook to.

 

The Girl who Drank the Moon

By Kelly Barnhill (Algonquin Young Readers, 2016)

“Every year, the people of the Protectorate leave a baby as an offering to the witch who lives in the forest.”¬†

Kelly Barnhill is my new favourite children’s author. All of her books are wonderfully written stories that sing. This one has some sinister characters and high stakes.

 

Adult and Young Adult Novels

The Scorpio Races

By Maggie Stiefvater (Scholastic Press, 2011)

“It happens at the start of every November: the Scorpio Races.”

I love Sean and Puck (and Corr–oh how I love Corr, the water horse), and I feel as if they’re still out there in their world, continuing the lives I got a glimpse of in this wonderful book. It took me a while to get hooked, but then it reeled me right in.

 

The Humans

By Matt Haig (Simon & Schuster, 2013)

“A¬†funny, compulsively readable novel about alien abduction, mathematics, and that most interesting subject of all: ourselves.”

One of those books you’ll have to buy five times because you keep giving copies to your friends and telling them they just have to read it. I loved this book and I want all good things to come to this author.

 

Non-Fiction

Extreme Birds

By Dominic Couzens (Firefly Books, 2008)

“A photographic showcase of 150 birds at the extremes of nature.”

Gorgeous, fascinating, entertaining. This great big book captured the awe-inspiring diversity of nature and reminded me what a wonderful world we get to live in.

 

The Boy who was Raised as a Dog and Other Stories from a Child Psychiatrist’s Notebook

By Bruce D. Perry and Maia Szalavitz (Basic Books, 2007)

“What happens when a young brain is traumatized?”

A compassionately-written account of several stories of traumatized children this psychiatrist has worked with. Not depressing despite some very sad cases. A fascinating look at how genetic tendencies and early experiences interact and how we can improve or worsen the consequences.

 

If you’re looking for your next good read, try one of these or check out more of my faves on Goodreads.

Now I’m onto summer reading! (Feel free to leave a recommendation. My TBR pile is only a few feet high.)

Have a great weekend.

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A Celebration of Reading

My home town, Gatineau, is one of this year’s hosts of Canada’s largest festival of reading. We’re an official “Reading Town” this month, with events and presentations¬†that come to a close tomorrow. It’s all part of the National Reading Campaign’s mission to make reading a national priority.

I’m doing my bit to celebrate. Tomorrow afternoon,¬†I’ll be at the Mill Road Community Space in Chelsea (just a few kilometres from home), speaking with readers of all ages about reading and writing and how they go together so well.

There’s a full day planned with authors, musicians, and other creative people from the region.¬†So, since it promises to be a rainy weekend — and reading is a great activity for rainy days as well as sunny beaches — come on out and say hello¬†if you’re in the area.

Have a great weekend!

 

 

 

 

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Judging Books by their Covers

While browsing my online library catalogue, this book caught my eye:

It captured me not because of its great reviews but because I could have sworn it was in my TBR pile with a different name. I searched through the pile and found this:

Ah yes. Not quite the same book. Extremely similar cover, completely different book.

Apparently, this happens every now and then. Sometimes in a worse way:

Sheesh. They didn’t even change the kid’s clothes on that one.¬†¬†(Check out this Huffington Post article for more examples.)

(A word to designers here: if you’re buying usage rights to images that other people can buy usage rights for, maybe fiddle with the image¬†a tad. By Gaslight is a wild re-envisioning in comparison with Long Drive Home.)

How do you¬†feel when a new book comes out that has almost the same cover as your still-quite-recent book? Amused? Annoyed? Delighted? Honoured? (I’m thinking annoyed.)

But maybe a similar cover is an advantage, so long as the contents are good. Humans like the familiar, after all.¬†And¬†even a duplicate cover won’t lose a book any fans if the contents are awesome. Mockingbird and Long Drive Home are a perfect example of that.¬†(Still, both were reprinted with new, not-as-good-but-at-least-unique covers:)

 

Todd Babiak’s Come Barbarians was published in 2013 with HarperCollins. Steven Price’s¬†By Gaslight was published in 2016 by McClelland & Stewart. Both have had great reviews.¬†And they’re both fine-looking books. By Gaslight¬†was in fact voted a¬†Best Cover of 2016¬†(annoying the Come Barbarians designer, I’m sure).

I confess that I bought Come Barbarians because of the cool cover. It’s that attractive. In both versions. I wouldn’t change it¬†if I was either one of them.

In fact, I’m thinking the foggy green cobblestone street is good for at least one more novel. Change the coat to a cape and add a ¬†wizard in a window, and it would be perfect¬†for a thrilling fantasy. Any takers?

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Canadian Literary Short Fiction Markets (R-Z)

Here is the last instalment of my favourite Can-lit journals aka short story markets.

NB: These are not ALL the magazines out there in our northern land. This is my personal list of lit-mags¬†that publish the kind of short fiction I read and write, and for which I’m eligible to submit. (So you won’t find Ricepaper here because I’m not Asian Canadian, and you won’t find Arc because I don’t write poetry.)¬†For¬†a more complete¬†list, see the¬†Writer‚Äôs Guide to Canadian Literary Magazines & Journals on the Magazine Awards blog.¬†(I’ve cribbed from their list and added the information I want¬†at a glance: word counts, submission policies, and payments. Feel free to crib from¬†my list.)

 


riddlefenceRiddle Fence (St. John’s, Newfoundland)

  • Publishes contemporary literature and artwork from Newfoundland and Labrador, across Canada, and around the world. 3 issues/year (print). Since 2007.
  • Considers fiction up to 3,000 words, plus poetry, “fakelore,” creative non-fiction, and visual arts.
  • Open submission period. Submit by email. Simultaneous submissions accepted. Responds in 6 months.
  • Payment unspecified. Submission Guidelines

roomRoom (Vancouver, British Columbia)

  • A feminist literary magazine that publishes emerging and established¬†Canadian writers who identify as female. 4 issues/year (print). Since 1975.
  • Considers fiction up to 3,500 words, plus poetry, creative non-fiction, and visual arts.
  • Open submission period for un-themed issues; specific deadlines for themed issues (e.g., deadline¬†January 31st, 2017, for an upcoming issue on “migration”). Submit via Submittable. Simultaneous submissions accepted. Responds in 3-6 months.
  • Pays $50-$120. Submission Guidelines

rustytoqueThe Rusty Toque (editors across Canada)

  • Publishes innovative arts and literature¬†by new and established Canadian and international writers. 1 issue/year (online). Since 2011.
  • Considers fiction up to 4,000 words, plus poetry, creative non-fiction, reviews, comics, and graphic narratives.
  • Open submission period. Submit up to two stories/year. Submit online. Simultaneous submissions accepted. Responds in 3 months.
  • Pays $50. Submission Guidelines

subterrainsub-Terrain (Vancouver, British Columbia)

  • Publishes provocative work¬†from “uprising” Canadian and international artists and writers.¬†3 issues/year (print). Since 1992.
  • Considers fiction up to 3,000 words, plus poetry, creative non-fiction, commentary,¬†photography and illustration.
  • Submission periods correspond to upcoming open and themed issues (e.g., deadline Septebmer¬†1st, 2017 for the next un-themed issue). Submit via Submittable. No mention of exclusivity.
  • Pays $50. Submission Guidelines

taddlecreekTaddle Creek (Toronto, Ontario)

  • A general interest literary magazine that publishes entertaining works from new and established¬†Canadian writers. 2 issues/year (print and digital). Since 1997.
  • Considers fiction (no word limit), plus poetry and visual art.
  • Submissions are currently closed (two themed issues planned for 2017 are closed to submissions). Check the website for further notice. (Check it just to read the amusing submission guidelines.) When they re-open, submit by email. Exclusive¬†submissions only. Responds in 2-6 months.
  • Payment unspecified. Submission Guidelines

thisTHIS Magazine (Toronto, Ontario)

  • An alternative¬†magazine of contemporary journalism, arts and culture that publishes sharp, stylish work from new and established Canadian writers. 6 issues/year (print). Since 1966.
  • Publishes mostly articles and essays, but also considers¬†fiction up to 2,500 words and poetry.
  • Query for articles; pitch or submit stories at any time. Pitch/submit by email. Responds in 3 months.
  • Payment varies. Submission Guidelines

understoreyUnderstory Magazine (Halifax and Lunenberg, Nova Scotia)

  • Publishes vital writing and visual art by and about Canadian women. 3-4¬†issues/year (online only). Since 2013.
  • Considers fiction up to 1,500 words, plus poetry, creative non-fiction, essays, spoken word, and blog posts.
  • Submission periods vary with upcoming themed issues (e.g., deadline March 31st, 2017, for “Youth on Power” issue; deadline June 15th, 2017, for “Service” issue). Submit by email or snail mail. Simultaneous submissions accepted.
  • Pays $30-50. Submission Guidelines

untethereduntethered (Toronto, Ontario)

  • Publishes “alternative views for” emerging and established writers and artists from Toronto, Canada, and the world. 2 issues/year (print). Since 2014.
  • Considers fiction up to 5,000 words, plus poetry, creative non-fiction, and visual arts.
  • Submission periods announced for upcoming issues (e.g., deadline for the next issue was¬†December 2016) — check the website for next open period. Submit by email. Simultaneous submissions accepted.
  • Payment unspecified. Submissions Guidelines

windsor-reviewThe Windsor Review (Windsor, Ontario)

  • Publishes arts and literature¬†by new and established Canadian and international writers. 2 issues/year (print). Since 1965.
  • Considers fiction up to 5,000 words, plus poetry, creative non-fiction, and visual arts.
  • Submissions open from September-April. Calls for submission to themed issues are posted on the website. Submit only 1 story/year¬†with a submission cover page (see guidelines). Submit by email or snail mail. No specified¬†policy on¬†exclusivity (there’s a box to check on the submission form if the work is submitted elsewhere). Responds in 6 months.
  • Payment unspecified. Submission Guidelines

That’s it!¬†I’ll post the entire A-Z on my “Markets” page.

Remember to¬†check out the magazines before you submit to them. Buy, borrow, subscribe.¬†Find out which ones publish writing that’s to your taste and whose pages you’d be proud to see your work in. (I have a¬†story upcoming in The Fiddlehead¬†— now, that’s one I’m proud to be published in.)

Good luck. Have a great week.

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Canadian Literary Short Fiction Markets N-Q

Continuing on the last couple of posts, here are another 10 excellent Canadian literary journals that short story writers can submit to.

The Nashwaak Review (Fredericton, New Brunswick)nashwaak

  • Publishes original work from new and established writers and artists from across Canada, with an Atlantic focus. 1 double-issue/year (print). Since 1994.
  • Considers fiction (no word limit), plus poetry, travel articles, essays, art, and reviews.
  • Open submission period. Submit by snail mail and email. No mention of exclusivity. Responds in 6 months.
  • No mention of payment. Submissions Guidelines

The New Quarterly (Waterloo, Ontario)tnq

  • Publishes distinctive, innovative literary¬†work by emerging and established Canadian writers. 4 issues/year (print and digital). Since 1981.
  • Considers fiction up to 6,000 words, plus poetry, creative non-fiction, reviews, and interviews. Also accepts work for its website.
  • Open submission period. Submit by snail mail with a completed cover sheet (see guidelines). Simultaneous submissions accepted. Submit only 1 story/year. Responds, sometimes with comments, in 6-9 months.
  • Pays $250. Submission Guidelines

NŇćD (Calgary, Alberta)nod

  • Publishes work from emerging and established writers and artists from the University of Calgary and across Canada. 2 issues/year (print). Since 2014.
  • Considers fiction up to 15 pages, plus poetry, creative non-fiction, and visual art. Also accepts essays and reviews for its blog.
  • Submit to specific issues (e.g., Deadline March 17, 2017 for upcoming unthemed issue). Submit by email. Simultaneous submissions accepted. Responds in 3 months.
  • Pays one copy. Submission Guidelines

One Throne (Dawson City, Yukon)one-throne

  • Publishes a diversity of literary and genre fiction from Canadian and international writers. 1 issue/year (online). Since 2014.
  • Considers stories of 2,500-7,500 words, plus poetry and creative non-fiction.
  • Open submission period. Submit via Submittable. Exclusive submissions only. Responds in days.
  • No payment. Submission Guidelines

Prairie Fire (Winnipeg, Manitoba)prairiefire

  • Publishes exceptional and innovative¬†work from emerging and established Canadian writers. 4 Issues/year (print). Since 1978.
  • Considers fiction up to 10,000 words, plus poetry, creative non-fiction, and interviews.
  • Open submission period. Submit by snail mail. Follow formatting guidelines (see website). Simultaneous submissions accepted. Responds in 3-6 months.
  • Pays up to $350. Submission Guidelines

PRISM International (Vancouver, British Columbia)prism

  • Publishes exciting contemporary literature¬†from Canadian and International writers. 4 issues/year (print). Since 1959.
  • Considers fiction up to 25 pages, plus poetry, creative non-fiction, drama, and translations.
  • Open submission period. Submit via Submittable or by snail mail. Simultaneous submissions accepted. Responds in 2-6 months.
  • Pays $30/page plus 2 copies. Submission Guidelines

The Puritan (Toronto, Ontario)puritan

  • Publishes exciting contemporary writing by new and established Canadian and international writers. 4 issues/year (online). Since 2007.
  • Considers fiction up to 10,000 words, plus poetry, essays, reviews, and interviews.
  • Open submission period. Submit online. Simultaneous submissions accepted. Responds in 3-4¬†months.
  • Pays $50/story. Submission Guidelines

Queen’s Quarterly (Kingston, Ontario)qq

  • An arts and ideas magazine that publishes engaging writing by Canadian and international writers. 4 issues/year (print). Since 1893.
  • Considers fiction up to 3,000 words, plus poetry, essays, articles, and reviews.
  • Open submission period. Submit by email or snail mail. Simultaneous submissions accepted. Responds in 1-2¬†months.
  • Payment unspecified. Submission Guidelines

The Quilliad (Toronto, Ontario)quiliad

  • Publishes diverse fictional voices from writers across Canada. 2 issues/year (print). Since 2013.
  • Considers fiction up to 2,000 words, plus poetry and art.
  • Two submission periods: check the blog for submission calls (e.g., they are currently closed but will re-open in April 2017). The Spring issue features literary pieces; the Fall issue has¬†a Halloween theme and features literary and genre work, including apocalyptic stories, retold fairy tales, horror, and¬†sci-fi. No mention of exclusivitiy.
  • Pays $13. Submission Guidelines

QWERTY (Fredericton, New Brunswick)qwerty

  • Publishes innovative work by emerging and established Canadian and international writers. 2 issues/year (print). Since 1996.
  • Considers literary or genre fiction up to 5,000 words, plus poetry, creative non-fiction, reviews, and visual arts.
  • Open submission period. Submit online or by snail mail. Simultaneous submissions accepted. Responds in 4-6 months.
  • Pays in copies. Submission Guidelines

Good luck! Have a great week.

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