What’s New: March Madness

If you need help keeping to a daily word count – or sticking to any other writing or reading goal - and you just can’t wait till November, think about joining March Madness. AKA an Almost-Nano Challenge.

Open to writers, readers, bloggers, and illustrators who want to set some goals for the month and openly admit to the world whether they are even remotely keeping them. With plenty of opportunity to cheer on fellow writers &C. With prize opps, too. And the best thing is, you don’t even have to stick to your goals to win the prizes. You can stop by a March Madness blog to cheer on more disciplined writers, then go putz around for the day while your WIP wallows, and you could still win a prize! Awesome! This is the challenge for me.

So I stopped by Denise Jaden’s blog (She wrote Losing Faith. I voted for it on the SCBWI Crystal Kite nomination thingy. If you haven’t read it, you could make reading it one of your March goals and then win a prize just for reading it. Easy peasy.) So anyway…. I took step one of March Madness: state the goal you intend to achieve during the month.

Yes, I bared my goals to the world. Sort of. Actually, I kept them fairly vague: ”Finish one WIP.” (I didn’t even identify which WIP – but I know which one I mean.) Sounds simple. The hard part is my commitment to “not set any more goals for the month until I’m done that one.”

Ouch. That is going to be tough. Because I really like to follow up 6 months of achieving diddly squat with a stellar month in which I:

  • finish drafting one teen novel;
  • finish revisions on another teen novel;
  • polish my latest middle grade novel;
  • draft two picture books;
  • submit the pile of manuscripts teetering on top of my file cabinet;
  • detail the outline of a historical novel for adults; and
  • finish my research on said historical novel.

That was pretty much my list of goals for February. And January. And last December…

I’m starting to suspect that the reason I achieved diddly squat during the past 6 months is that I have too many goals. So many that I can switch from one to another whenever I’m bored or antsy, yet still feel like I’m on track ”working toward my goals.” Even if I’m never actually completing any.

I will not stray.

That is a recurrent problem in my life. And one I intend to face this month. My March motto is: Don’t stray from the path. And March Madness will help me live it large. Accountability, i.e., the risk of being publicly shamed, should keep me on track. (Or not. We’ll see. I’ve never signed up for any of these things before and there’s a good chance I’ll drop out by, oh, March 3rd, but what the heck.)

I hope some others join in the month’s madness. Today is goal-setting day. (But no worries if you join tomorrow or even mid-month, so long as you come with a goal in hand.) Visit Denise Jaden’s blog to sign up your goals and find out where to check in through the month to tell us how you’re doing.

Good luck. (And thanks to Deb Marshall for posting about this accountability opportunity.)

Friday Fable: The Writer who Cried Bestseller

You probably know the old fable, The Boy who cried Wolf:

Once there was a shepherd who was bored out of his skull. He slept most of the day and daydreamed the rest of it. Once in a while, he counted the sheep. The boy suspected that the villagers considered him a dullard. He suspected the sheep considered him a dullard. And sometimes he wondered himself.

One day, the boy looked at the quiet field and thought, ”A wolf could really liven things up around here.”

It’s possible that the boy honestly mistook the black sheep for a wolf. However it happened, he ran into the village screaming, “Wolf! Wolf!” The villagers grabbed their weapons and rushed out to defend the flock. But there was no wolf in sight and every sheep was accounted for. The villagers went home grumbling.

Three days later, the boy had done nothing but count sheep, and he craved attention even worse than before. He ran to the village lying through his teeth, ”Wolf! The biggest wolf you’ve ever seen!” The villagers raced to help. But there was no wolf in sight and every sheep was accounted for. The villagers went home angry.

The boy thought about spending the rest of his life in this field where even the sheep ignored him, and he just couldn’t stand one more second. He began to cry.

While he was crying, the sheep began to bleat. A pack of huge hungry wolves headed straight for the field! The boy raced to the village shrieking, “Wolf! They’re eating the whole flock!”

“We’re sick of your lies,” the villagers said. “Go back to the sheep, you dullard.” And so the sheep were eaten, the  villagers felt stupid, and the boy became a minstrel known far and wide as Lying Larry with his Singing Lambs.

And the moral is: Once you’re known as a liar, no one will believe you even if you’re telling the truth.

That is a good old tale. But if Aesop were a modern slave to the written word, he might have called his story, The Writer who cried Bestseller:

Once there was a writer who barely wrote anything. He drank coffee and scribbled ideas on notepads. Once in a while, he drafted something, but mostly he wrote blog posts about the difficulties of writing. The writer suspected that editors considered him a lame ass. He suspected other writers considered him a lame ass. And sometimes he wondered himself.

One day, the writer checked his empty inbox and thought, ”A bestseller could really liven things up around here.”

It’s possible that the writer honestly mistook his first attempt at a children’s story as a potential bestseller. However it happened, he wrote in his query, “My easy reader is like Elephant and Piggie meet Frog and Toad. Dyslexic kids especially love to read it. I have a Ph.D. in Early Literacy and I’ve published 47 picture books under the pseudonyms Frank Asch and Margaret Wise Brown.” A gullible intern requested the manuscript. The writer fired it off with a post-it reading, “Better snap this up soon!!!” When the story arrived, it was wordy, clunky, and dull. The intern rejected it with a form letter.

One year later, the writer had written only 125 new words (plus 365 blog posts), and he craved attention even worse than before. He resurrected a novel he’d written in his teens, though he knew it was badly conceived and poorly executed. “It’s Harry Potter at the Hunger Games,” he wrote in his query. ”Hilarious, gripping, with a love interest that will ignite your shorts. I have two offers from other houses, but I’ve always wanted to work with you guys.” The gullible intern, who had since become a gullible editor, requested the manuscript. The writer fired it off with a post-it reading, ”You have a two-week exclusive!!!” When the story arrived, it was idiotic and unreadable. The editor rejected it with a form letter.

The writer thought about spending the rest of his life alone in the blogosphere writing endless analyses of his few lousy first drafts, and he just couldn’t stand one more second. He began to cry. Then he began to write. He cried and he wrote for an entire year, then he cried and revised for another year. Finally, he polished his words and thought, “Holy smokes, this is really good!” He asked a few established authors for comments, and they offered suggestions and endorsements. The writer fired off a query saying, “Margaret Atwood calls my novel “moving and insightful” and Paul Auster says, “I wish I’d written it myself.” (And it was really true this time.)

The editor wrote back, “I’m sick of your lies. Go back to your blog, you lame ass.” And so the writer got an agent who sold his novel to another house, the editor felt stupid, and the book was a great success.

And the moral is: Work your lame ass off and write a good book, not an ad campaign.

Tone down the ad campaign. Honestly.

And on the off chance you can’t get Paul or Margaret to endorse your book, write a decent honest query letter to go with it.

If you want a second opinon on your query letter, consult the blogosphere for help. One of the awesome writers in my picture book critique group, Ishta Mercurio, has begun a weekly Wednesday query critique on her blog, Musings of a Restless Mind. It’s tailored exclusively to picture book queries, so if you write for young minds, send Ishta your draft query letter and she’ll give you her advice. For novel queries, Ishta suggests consulting the Quintessentially Questionable Query Experiment.

But write a decent book first. Honestly.

Friday Fable: The Editor and the Annoying Writer

You may know the old fable, The Wolf and the Lamb:

A thirsty lamb approached a creek where a wolf was drinking upstream. ”Hello,” the lamb said happily.

The wolf took one look at the lamb and licked his lips. “How dare you muddy the water where I am drinking?” he shouted.

“But I am downstream from you,” the little lamb replied with a laugh.

“You are disturbing my peace with your bleating and bells,” the wolf snarled.

“But I lost my bell last week,” the little lamb pointed out.

“You are the nasty lamb who called me names in the winter!” the wolf shouted.

“But I wasn’t even born in the winter,” the lamb replied.

“Well, if it wasn’t you, it was your brother!” said the wolf.

“But I have no brothers,” argued the lamb.

“Well, somebody has been saying bad things about me!” the wolf shouted. And with that, he tore the lamb to pieces. So the little lamb had no chance to finish the argument.

And the moral is: A tyrant will find an excuse to justify his actions. (Or “When a wolf starts arguing with you, run like hell.”)

You’re probably thinking, “Why didn’t anyone tell me this useful fable in my childhood instead of boring me to death with that moronic race between the turtle and the rabbit?” I know. Honestly.

You may also be thinking about how the adorable little lamb starts to get annoying through the course of the story, to the point where it’s really not such an unhappy ending, is it? Which brings me to my Friday Fable….If Aesop were a modern slave to the written word, he might have called his story, The Editor and the Annoying Writer:

An aspiring writer submitted a story to an established publishing house. ”My story has a spunky central character, a strong narrative arc, an emotionally satisfying conclusion, and a great marketing hook,” she told the editor. “I hope you like it.”

The editor read the first page of the story, skimmed a couple more pages, and thought, “Meh, it just doesn’t grab me.” She sent back an email, saying, ”Sorry but we’re not looking for folktales.”

The writer changed a few words in her story and resubmitted it to the same editor with the note, “Since you published two original folktales last year, and it says on your website that you’re looking for folktales, I thought you might take another look at this revised version of my story.”

The editor (who was particularly kind and suffered a terrible addiction to email) skimmed the first page of the revised story and saw no significant changes. She rejected it again with the note, “Sorry, but we tend to shy away from talking animals.”

The writer fired off a quick reply, saying, “But half of your best-sellers have talking animals as their central characters. And your company history stresses its success with animal stories. Are you sure you won’t have another look? I could make the hippo a rhinoceros.”

Stop arguing, little lamb

The editor (who was really new at this and had no experience with psychotic writers) wrote back, ”Please understand that my decision is final. We only publish animal folktales by established writers.”

The writer (who fortunately was not psychotic or psychopathic but just plain dumb) wrote back, “But you publish first-time authors every year and half of them write animal folktales!”

“Please do not submit to this house again,” the editor wrote. And she blocked the writer’s email from her safe list.

And the moral is: Take a hint, for god’s sake. They just don’t want it.

And that’s it for me this week.

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